The Opposite of Popular

The online home of alleged author Victoria Leybourne

Shiny newness, and other updates.

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Hello again! A few more updates for you…

Sales

I really don’t want this to be exclusively a “complaining about publishing” blog, but I have to admit that morale is still pretty low around here. I really thought (and this is my own naivety, or arrogance, or whatever) that the relative success of The Rose and the Mask meant that The Murano Glass Slipper would do well too. And it… really hasn’t. The Rose and the Mask was in profit after a month. The Murano Glass Slipper is a month-and-a-half old and still very much in the red, even though I spent less on it than the first one.

In fact, releasing this whole new book has barely made a difference to my earnings from writing at all. Look at this:

graph showing a steady decline in earnings after a peak in April, mitigated only slightly by a small increase in November

This is from a tool called Book Report. The blue area is earnings from Kindle Unlimited and the red is royalties. You can see the release of Book 1 in March, the peak in April, then the steady decline I talked about before. November’s new release is not much more than a blip 😦

I really hope I’m not coming off like I think I’m entitled to more sales or something. I really don’t think that! I was very lucky that The Rose and the Mask did as well as it did, and I’m still very lucky (and feel it) when anyone chooses to read either of the books now. Writing a book doesn’t entitle you to readers, no matter how hard you try or how much you want success.

I just… I wish I could be happier without success. I wish the thing I wanted most of all wasn’t something so fleeting and that no amount of hard work can guarantee me. I’ve had jobs that offered security and money and good prospects, and I tried to want them, but they made me feel like I was disintegrating from the inside out. Writing is all I want to do, and all I’m really good at, so I broke every rule I’ve ever been taught and I tried it. It was a stupid thing to do but, for a few months in the Spring, I thought I was getting away with it.

The new book

The thing is, I’ll keep writing forever, no matter what. And, in better news, I really think I’m getting better at it. Specifically, I’m getting a better feel for what is and isn’t working in a story, and I’m able to act on that quickly, instead of writing another 20,000 words on top of a shaky foundation and having to axe the lot. I might even be developing a process. It’s not the one I’d choose, necessarily, but still.

I said in my last post that I’d got up to 40,000 words on the contemporary royal romance (still untitled!) that I’m working on. I ended up getting to 48,000 before noticing that it was becoming harder to get motivated, which usually means that I’ve uncovered a problem in my work. In this case, the problem wasn’t one big thing, but rather that I now had quite a long list of small-but-significant changes I wanted to make to the scenes I’d already written, and it was becoming difficult to keep them all straight in my head as I wrote new scenes. Plus, it was making me feel like the whole thing was a Mess In Need Of Fixing, which is bad for morale. So, for the last couple of weeks, I’ve been working on a second draft. 80-90% of it is copy-pasted straight from the first draft, but I’ve ironed out some of the inconsistencies and other flaws that were niggling at me.

For a few days, I was quite annoyed to be working on this new draft. I’d been really hoping to get all the way through a draft before going back to fix things. But then I remembered feeling the same way with The Murano Glass Slipper, after starting a new draft at about the same point. And I remembered not doing that with The Rose and the Mask, and having that “axing tens of thousands of words” thing happen a lot, for three years. And that I really think MGS is a better book than RatM, even though writing it didn’t cause me anywhere near as much grief. And then I thought, hey, maybe this is just the way I write books. And maybe fighting what might be my natural process is a just a good way of creating a lot of stress without creating a lot of book.

So I’m trying to embrace it. I read everything I’d written on the new book and it actually seemed pretty good, which is always a relief, and I’m confident that the changes are making it better. It’s a little tedious, and I’m hoping to be done with the redrafting and back to work on new scenes too, but hopefully doing this will make writing the second half feel as natural and fun as the first half did.

Some new covers

Finally, if you’re a long-time reader, you know that I went through a completely unnecessary number of iterations of the cover for The Rose and the Mask, starting long before it was ready for publication. Well, I’m at it again. I really like the current covers for both books, and I do think the RatM one was at least moderately successful, in that people have said they were drawn to it because the cover was pretty. But they don’t signal genre very clearly – you don’t look at them and immediately think “Oh, it’s this kind of book”. So I wanted to see if a cover that says “buy me if you like fairytale romance!” would help. Here’s what I came up with:

a new cover for the rose and the mask. a woman holding a mask stares out at the viewer while embracing a man whose face isn't visible

 

a new cover for the murano glass slipper. A couple dance together under a full moon, staring lovingly into one another's eyes

I’m pretty pleased with them, because they’re much better than anything I’ve been able to do in Photoshop with actual photos before. And I do think they say “romance”.

As for whether they’ve actually helped… I don’t know. Sales were dismal before I changed them (a week or so ago) and they still are, but Amazon has had reporting issues, plus apparently this is a bad time of year for ebook sales (they don’t make good presents) so it’s probably too soon to judge. I’m open to hearing any feedback about them, though! I’ll probably trial them until the end of January or February, and then either change them back or keep them and make paperback covers to match.

 

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